Publications
2020. The Computer Pays Its Debt: Women, Textiles, and Technology, 1965-1985 (Ashville: Center for Craft, 2020), forthcoming.
2020. “Techno-Futurism in the Jewelry of Mary Ann Scherr,” 45 Stories in Jewelry, Barbara Gifford ed. (New York: Museum of Art and Design, 2020), forthcoming.
2019. "Pattern Consciousness: Counterculture Influenced Interior Design," With Pleasure: Pattern and Decoration in American Art, 1972–1985, Anna Katz, ed. (New Haven and Los Angeles: Yale University Press and MOCA, 2019),
2019. “Unwoven: Gender Binaries in Cloth and Computing,” Ahree Lee: Pattern Code, (Los Angeles: Women’s Center for Creative Work, 2019).
2018. Recurring Aesthetics, Emergent Traditions: Wendell Castle’s Continued Relevance to Corporate Culture. The Journal of Modern Craft.
2016. Cock, Paper, Scissors. Co-editor, with David Evans Frantz and Lucas Hilderbrand, (exhibition catalog, ONE National Gay and Lesbian Archives)
2020. “Techno-Futurism in the Jewelry of Mary Ann Scherr,” 45 Stories in Jewelry, Barbara Gifford ed. (New York: Museum of Art and Design, 2020), forthcoming.
2019. "Pattern Consciousness: Counterculture Influenced Interior Design," With Pleasure: Pattern and Decoration in American Art, 1972–1985, Anna Katz, ed. (New Haven and Los Angeles: Yale University Press and MOCA, 2019),
2019. “Unwoven: Gender Binaries in Cloth and Computing,” Ahree Lee: Pattern Code, (Los Angeles: Women’s Center for Creative Work, 2019).
2018. Recurring Aesthetics, Emergent Traditions: Wendell Castle’s Continued Relevance to Corporate Culture. The Journal of Modern Craft.
2016. Cock, Paper, Scissors. Co-editor, with David Evans Frantz and Lucas Hilderbrand, (exhibition catalog, ONE National Gay and Lesbian Archives)
© Kayleigh Perkov, 2020. All images belong to myself or have been taken from Wikimedia Commons under the Creative Commons Attribution/Share-Alike License
